B H B
Human Feel
The creative revolution that will follow the implementation of Artificial Intelligence in the field of musical invention is upon us, but not everyone is willing to embrace it, renouncing human specificity—that unpredictable imperfection that makes us different, and perhaps unique in the universe, and that lays the foundation for subjective experiences and their unrepeatability. B.H.B. (Biological Human Beings) is the acronym of the team that collaborated on the Human Feel project, conceived by Luigi G. Colarullo, drummer, producer, and composer, author of most of the songs and curator of the arrangements. Colarullo also collaborated with Simi (a jazz and pop singer) on the melodies.
Human Jazz
B.H.B. does not aim to be a musical group, but rather a creative laboratory, open to collaborations with other artists who share its vision. It explores the writing and production of artistically ambitious pop songs and challenging jazz compositions, including arrangements, orchestration, and instrumental solos. All of this is carried out with the explicit commitment not to use artificial intelligence algorithms in the creative process, now or in the future. This is not due to any hostility toward new technologies, but stems from the intention to preserve an artistic expression that is entirely human—and to ensure that it remains so.
Dangerous voices
An ambitious multimedia extravaganza, this work by renowned artist Luigi G. Colarullo combines music, poetry, moving and still images to create an experience that speaks to the spirit, the senses, the mind, and the soul.
“For a long time, we have become accustomed to absorbing images, sounds, and words all at once. It is as if a single art form is no longer complete on its own. I was inspired by the need to unite these mediums and create a dialogue between them and so the genesis of Dangerous Voices.”
Attese
Thoughtful pauses that change over time, altering the flow of becoming, where perfection lies in the perception of our imperfection, while love builds its dwelling and its passion within beauty; the end has no space to exist, time had not yet been suspended in a breathless pause, space not yet enclosed in enclaves. Suspended time was not the absence of time, but time condensed in waiting.
Rejuvenation
Condensation of dreams, contamination of sounds, dissipation of signs, and reappropriation of lost moments: a concrete, poetic persistence of traces of existence beyond the boundaries of language, in search of the self in the gaze of the Other. Everything is absolute and desperate, like a destiny yet to be envisioned, in the rebirth of a face finally human.
Suspended
After a long experience in the United States, Luigi G. Colarullo enriched his dreamlike soundscapes with an intense photographic and video work, in which the two languages interpenetrate and complement each other, creating an environment of great evocative power. Sounds, voices, words, and colors appear and disappear as if carried by a restless and mysterious oceanic current.
© Ludovico Einaudi
Zenith
Set in a post-industrial future, Zenith envisions a humanity genetically altered to experience perpetual happiness, stripped of much of its language. One individual observes, “What you cannot express in language does not exist in human minds.” This haunting premise underpins the nightmarish vision of writer-director Vladan Nikolic, who drew inspiration from a series of experiments conducted by psychology professor Stanley Milgram—designed to test whether participants would obey an authority figure even when orders directly conflicted with their conscience. Challenging and elusive, Zenith offers a bleak meditation on the human condition, suggesting that an all-pervasive paranoia may, in fact, be fully justified.
“A powerful and evocative soundtrack, capable of amplifying the emotional impact of the work.”